Audacities
A production house with an advertising agency and a book imprint attached.
West Palm Beach · Florida & NevadaWhat we make
Series
Recurring formats built to run for years, with a professional audience already behind them.
Films
Feature and short-form work, produced through a dedicated company per title.
Campaigns
One house writing it, shooting it, scoring it and placing it.
Books
Audacities Press, for work that should outlast a release window.
Where to go from here
How the work moves
Position
Category, audience, competitive set, and the single claim the work has to land.
Positioning is the argument the work is making, settled before anyone spends money making it. Skip it and you find out during the edit, which is the expensive place to find out.
Hands over: a strategy document everyone else works from.
Create
Concept, script, identity, look, and the sites and channels it lives on, locked before a camera is switched on.
Pre-production is where a film gets cheap or expensive. A decision made here costs a conversation. The same decision made on set costs a day.
Hands over: scripts, boards, a design system, and the built channels.
Produce
Locations, casting, shoot, score, post. Music and talent drawn from the catalog we built.
The shoot is the shortest part of a production and the only part most people picture. Everything around it is what makes it work.
Hands over: the cut, and a clearance file that proves it can be sold.
Place
Media planned and bought, including inventory we own outright.
Placement is where the finished work goes so people actually see it. Owning inventory means we are not only renting attention from someone else's platform.
Hands over: a media plan and the buy.
Publish
Released, measured, kept alive.
Most work is released and abandoned. Measuring is what tells you which parts to do again, which is the only reason the next one is better.
Hands over: the numbers, and the cue sheets filed.